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Zoe
Mendelson
‘Angela’s
Chronicles’ 6th May – 11th June. (Wed – Sat
12 – 6)
Private View Friday 7th May 6 – 9pm
Solo performance by Charmaine Yasmin Ahmed – Soprano
Gallery
Talk - Sun 6th June 4pm.
Zoe
Mendelson - in conversation with - Annie
Blinkhorn
Annie
Blinkhorn is acting editor or Erotic Review and has written on
sex and life style for GQ, the Daily Mirror, Jack and A regular
column for the Independent on Sunday and has appeared on Carlton
late-night debate programme Thursday Night Live and is a regular
guest on LBC late-night phone-ins.
www.theeroticreview.co.uk
Drawings on the gallery walls seep onto items of antique furniture
such as cabinets & book cases. The work takes the form of
a stream of consciousness narrative loosely based on certain events
in ‘Chronicle of a Death Foretold’ by Garcia Marquez.
PRESS
RELEASE
Zoë
Mendelson: ‘Angela’s Chronicles’
May 6th – June 11th 2004
Private View Friday 7th May. 6-9pm
A site-specific installation of drawing and painting.
The work takes the form of an incomplete and abstracted narrative,
loosely based on events in ‘Chronicle of a Death Foretold’
by Garcia Marquez, a drawn stream of consciousness, a Victorian
gothic erotic drama, creeping and unfolding.
Angela, brought up for marriage is coerced into marrying a virtual
stranger in an over-the-top, festivalised wedding.
On her wedding night, following discussions with her girlfriends,
she takes a small suitcase of fakery with her to her marital home,
in order that she may fool her husband and show off a stained
sheet in her bridal courtyard the following morning. However,
she never uses it and her husband jilts her on her wedding night
following the discovery that his new wife is not a virgin. Angela
spends the next seventeen years writing to him.
The focus of the piece is the construction of an elaborate lie.
Drawings and paintings centre on artifice. A theatrical landscape
is grown.
Festive
and fierce, daydream-like sexual imagery runs across the gallery
walls and seeps onto furniture. A writing desk with a hinged lid
is left open to reveal a hidden painting, over-adorned with a
chandelier and elaborate cornicing. Too much delicacy makes it
look heavy and ridiculous, the over decoration serving as a metaphor
for displaced female sexuality or suspended desire. A birdcage
spills a drawing. The apparently decorative style refers to such
contrasting conventions as children’s book illustration
and erotic drawing. Meanwhile, codes of politeness are constantly
established and broken down in equal measure. Lavish interiors
spill out into seedier, but similarly exaggerated motel room porn.
Lewd acts are described alongside elegant drawing-room scenes.
For images please contact Amy Whitworth : 0207 093 0628